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A Case for Using the First Folio as Directing and Acting Text
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Skin as an Index to Moral Character in English Renaissance Tragedy
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Band of Bastards: Rhetorical Parallels and National Memory in Shakespeare’s St. Crispin’s Day Speech, Patton’s Speech to the Third Army, and Olivier’s Henry V
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The Merchant of Venice: Tsubouchi’s Shylock and Early Modern Japanese Dichotomy
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