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Abstract

This paper discusses the concept of the document evolved throughout the 20th century in France, particularly through the writings of Robert Escarpit and Jean Meyriat. The document began as a simple notion and then gradually took on new meanings such that it is now seen as a construction of social values. Multiplicity is posited as a fundamental characteristic of the document, which affects its meaning, its interpretation and its social values. Like a rhizome, the document circulates in social spaces with multiple, nomadic associations through attribution, intention, meaning, interpretations and social values (political issues, artistic and aesthetic dimensions, economy, etc.) without any notion of hierarchy.

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